I've spent the last decade doing one thing: making sound disappear into stories.

 

My background is in professional theatre sound design — ten years of building worlds out of audio, crafting the rumble under a scene, the silence before a revelation, the music that makes an audience forget they're sitting in a chair watching people act. When it works, they're just inside the story. That's what I've always chased.

 

For the past eight years, I've also worked as a professional DJ — which sounds like a different world, but it isn't. Both disciplines are about reading a room, holding attention, and understanding that sound shapes how people feel without them ever realizing it.

 

That same instinct is what I bring to podcasts, agencies, and content teams. Most clients don't want to think about audio. They just want their work to land the way it's supposed to. My job is to make sure it does — consistently, reliably, and without you having to manage it.